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Two Cents
Unsolicited advice from people with no qualifications but many opinions
Michali Naiman and Chana Fishman
Two Cents
Unsolicited advice from people with no qualifications but many opinions
Michali Naiman and Chana Fishman
I of the Storm
I pinched myself. Could it be that the entire Shafer crew is cooperating, smiling — and genuinely happy? Could it be that our family portrait is not a complete farce?
Ilana Shafer
I of the Storm
So I’m not a tzadeikes, I shot back to my ever-present faultfinder. I haven’t got bottomless reservoirs of patience. But I’m not so bad, either
Ilana Shafer
Works for Me
A career coach gets on the job
Shaina Keren
Works for Me
Is there a way I can prove my value or should I just look for a new job?
Shaina Keren
Chef
This was the first time that working hard, fast, and creatively would get me in trouble.
Chef Suzie Gornish
To the Letter
As we know in so many areas in Judaism, the end is really just the beginning of something new, something greater
Mindel Kassorla and Cindy Landesman
More EndNote
EndNote

Chaim Banet’s ‘Machnisei Rachamim.’

By Riki Goldstein

EndNote

Four decades later, those classics have stuck Rabbi Label Sharfman is the founder and dean of Bnot Torah Institute, better known as “Sharfman’s” in Jerusalem, and Abie Rotenberg is — well, he’s Abie Rotenberg. But back in the 1970s, they were chavrusas in the beis medrash of Yeshivas Chofetz Chaim in Forest Hills. Label Sharfman

By Riki Goldstein

EndNote

The popular song “Kiddush,” recorded by Sruli Lipshitz this past summer, has that slow, reflective tune and classic words that make it seem like a niggun from decades ago. The words “Lomir machen Kiddush oif der gantzer velt” are a pronouncement of our intent to sanctify the entire world on Shabbos — almost like Kiddush itself. Composer Avrohom

By Riki Goldstein

EndNote

With Motty Steinmetz’s debut album Haneshama Bekirbi flying off the shelves among the heartwarming songs his fans are enjoying is a long Yiddish ballad entitled “Brivele” which brings home the power of reciting Tehillim. The composer badchan Motti Ilowitz explains his parable: “A king has a beloved servant a writer who writes him eloquent letters

By Riki Goldstein

EndNote

“We used to sing it kumzitz style, 20 or 25 rounds”

By Riki Goldstein

EndNote

“It’s no wonder my father was drawn to these words”

By Riki Goldstein