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| Out of Step |

Out of Step: Chapter 14

“It’s not fair!” I burst out eloquently. “What on earth does Atara have to be jealous about?"

Iclutch my coffee cup and shiver. In hindsight, I’m not sure meeting Goldie in the park was the best idea for a December afternoon, but at least she brought hot chocolate. I watch her fuss with Effie’s hat, ensuring it covers his ears. The baby’s nose is bright red and I’ve honestly never seen anything so cute in my whole life. I take a sip of my drink, the hot sweetness courses through me, and suddenly I feel wide awake.

“Goldie?”

“Hmmm?”

She settles onto the bench next to me and flips a blonde lock over her shoulder. I obsess for a second over her blush-colored peplum jacket, matching scarf, and studded hat, and then move on.

“Goldie, what should I do?”

She looks at me thoughtfully. “You know, I’ve always wanted a little sister.”

I scrunch my nose at her. “Awww. Not helpful, but awww.”

She laughs. “Kay, what should you do about Atara? Hmmm. I’d say give her space.”

I open my mouth to protest but she’s still speaking. “When people are jealous, they can’t see straight. Their vision fogs up, all history gets erased, and suddenly everything is defined in terms of ‘always’ and ‘never.’”

My brain hurts. “I have no idea what that means,” I say plaintively.

Goldie grins. “You’re kind of annoying, you know that?”

I flick her padded shoulder. “Totally. Now explain.”

“I just mean that when jealousy clouds a person’s vision, they forget all the times you were there for them, and suddenly, you ‘never show up when needed.’ Or they get total amnesia about all the times you apologized, and say that you ‘always walk away without saying I’m sorry.’ So right now, if Atara’s rewriting your history out of jealousy, maybe just give her space to remember what your friendship is really about. She’ll come around, you’ll see.”

I stare at the ground, the tip of my bootie making patterns in the dust. The girl made sense, but it just wasn’t fair.

“It’s not fair!” I burst out eloquently. “What on earth does Atara have to be jealous about? The girl is perfect, her family is neat and uncomplicated, her mother is young and cool, she’s a great dancer, has great clothes….”

I trail off as Goldie stares at me.

“What?” I ask uncomfortably. Goldie gives a half-smile.

“Maybe,” she says, “now you’re the one forgetting history?”

***

I walk alone; Goldie has to drop Effie by her mom’s, and I need to get to dance class. I mull over my sister-in law’s words as I trudge my way to the studio. What could Goldie have meant? It sounded like she was saying I’ve had a great life, and I suppose she’s right. I mean, baruch Hashem, compared to the things I know are going on in the world, but it’s not like my life is easy. I mean, she should try being the only girl among seven boys. And having to watch Ma struggle with being the sandwich generation. No one should have to hear their mother cry. Not to mention math!

I smirk at that last one and turn left into Shayna’s low white building.

Everything about Shayna’s studio is calming. The paint colors, the lights, the music. The stress slowly ebbs out of me as I head to the changing rooms. I tie up my shoes, massage my sore muscle, and then sashay my way to the main studio.

A group of Intermediates are cooling down at the barre, schmoozing and laughing, their sweaty faces testament to a class well-danced.

Shayna is guiding one girl in the middle of the floor and I smile at the sight. It’s Chana Rivka Turner, the winter soloist for Intermediates. Leaning against the wall, I watch her intently. I don’t realize I’m biting my lip until I feel the intense pain that tells me I’m about to puncture the skin. Oops.

But this girl is good. Like not regular good. Like… maybe better than me? I actually shake my head to rid myself of the thought. Her routine is just easier than mine, that’s all. I mean, I’m Advanced, obvis, and she’s an Intermediate.

“Back foot, brush out, and coupé. Coupé. Fondu. Jeté!”

I nod my head in time to Shayna’s instructions and relax. Chana Rivka is doing a gorgeous job, but the routine is pretty simplistic. I clap enthusiastically when they finish, the younger girl blushes and waves at me. Shayna gives me a wink. I wink back.

Ah, ballet, where everything makes sense. Where everything has a reason! Where people don’t just yell at you for no reason.

The rest of the Advanceds will be here in just ten minutes. I turn to Shayna. “Should we practice until class? I mean, unless you’re tired, of course. Like, do you want to go rest or—”

“Bella!” Shayna’s laughing. “I’m fine. But you’re sweet. Come. Let us dance,” she says dramatically, and I crack up.

She takes a swig from her water bottle, adjusts her snood, and turns the music up.

Ah. I roll my shoulders, assume second position, arms extended, and stretch into my first arabesque. Hold it, hold it, the music swells, I jeté back, arms open, pirouette… and snap.

One moment I’m spinning through the air, the next I’m collapsed on the ground in more agony than I ever knew was possible. The pain is a bright red haze and I try to focus, to find Shayna, to make her take it all away. And then I see her, face stark white amid the shades of plum and fire engine clouding my vision.

Only when I see her fear, when I realize that something terrible has happened to me, do I allow black to wash all other color away.

(Originally featured in Mishpacha Jr., Issue 790)

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